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Ac Spark Plugs R44t Acniter Ii Green Rings 5613355 Camaro Chevelle Impala Nos on 2040-parts.com

US $28.00
Location:

Wilkes-Barre, Pennsylvania, United States

Wilkes-Barre, Pennsylvania, United States
Condition:New Brand:AC Other Part Number:Z28 Camaro Corvette Manufacturer Part Number:R44T Surface Finish:Chevelle Interchange Part Number:5613355 Country/Region of Manufacture:United States

 THESE PLUGS CAME FROM THE SHELVES OF AN OLD GM DEALERSHIP MANY YEARS AGO. I HAVE SEVERAL SETS. YOU ARE BIDDING ON 1 SET (8 PLUGS) NEW IN THE ORIGINAL BOXES.             CORRECT FOR 1970 CHEVY NOVA 402.396 SS350 HP. 1970 CHEVELLE AND MONTE CARLO ,402,330 HP.                  1970 CAMARO V8  402 (396SS)350 HP.       1970 CHEVROLET BELAIR , BISCAYNE,IMPALA ,CAPRICE ,ETC   454,345 HP.

French Revolution: a tragic tale of three car brands

Fri, 23 Oct 2009

Once upon a time, in France, there were three brothers, three very different characters, but whose futures were inextricably linked. The youngest brother was Citroen. He was brilliant and he was good-looking.

Mercedes Benz CLK-GTR – the Unique RHD versions

Fri, 13 Feb 2009

The unique RHD Mercedes Benz CLK-GTR The CLK-GTR is a by-product of Mercedes’ involvement in the FIA GT1 class in the late ’90s. A condition of entry for cars was that road-going versions had to be made, so Mercedes (along with Porsche, who built the even rarer Porsche 911 GT1 to compete in the series) bit the bullet and produced a very limited run of the GTR. Despite a passing resemblance to a CLK, the only parts that were actually CLK were the grill and the dash housing.

Worth a read: Wired's 'Why Getting It Wrong Is the Future of Design'

Thu, 25 Sep 2014

Wired has just published a series of short articles entitled 13 Lessons for Design's New Golden Age. While there are some interesting examples cited in the piece, the concluding article, ‘Why Getting It Wrong Is the Future of Design' by the former creative director of Wired magazine, Scott Dadich, feels like it has particular resonance for car design. Dadich's Wrong Theory uses disruptive examples from the world of art, plus his own experience of working at Wired, to explain how design goes through phases: establishing a direction, creating a set of rules that define that direction and finally someone who dares to break from that direction.