Genuine Mopar Drag Link Outer Socket Package 68036726ac on 2040-parts.com
Tie Rod Linkages for Sale
Genuine bmw tie rod assembly 32106765235(US $248.80)
Genuine mopar outer tie rod end right 68185502ad(US $177.48)
Genuine mercedes-benz steering tie rod end 212-460-02-05(US $67.31)
Genuine mercedes-benz steering tie rod end 212-330-21-03(US $59.15)
Genuine mercedes-benz steering tie rod end 204-330-33-03(US $61.10)
Honda 53560-thr-a02 end, driver side tie rod(US $19.50)
Land Rover Freelander 2 hits 250,000. But is this the zenith?
Mon, 28 Mar 2011250,000 Freelander 2s built It’s the car that started the whole compact SUV / softroader love affair back in 1997. Thankfully, the Freelander has come a long way since then, and the Land Rover Freelander 2 is a properly good car. So good is the Freelander 2 that Land Rover are celebrating the 250,000th Freelander 2 to roll off the production line today at Halewood.
Exclusive First Sight: Pininfarina Sergio concept
Tue, 05 Mar 2013Upon receiving the call from Pininfarina's PR man, asking if Car Design News would like to head to Torino for a preview of its latest concept car (not a hard offer to accept), we had no other information than its name – Sergio – and an abstract teaser shot of a detail. Driving through lovely, crumbly Turin, and out into the zona industriale towards Pininfaina's Cambiano base, the fear strikes: what if the car's a disappointment? What if it's simply some unremarkable supermini – maybe even an electric one?
Japan Car: Designs for a Crowded Globe
Thu, 04 Dec 2008The Science Museum in London, UK is hosting the Japan Car: Designs for the Crowed Globe exhibition, sponsored by seven Japanese automobile manufacturers. An exploration of the car as a 'mobile cell', the exhibition has been conceived by graphic designer Kenya Hara and architect Shigeru Ban to show how Japanese design reflects the 'soil and spirit' of Japan, depicted by concept cars and models specific to the Japanese market. Speaking to Car Design News, Shigeru Ban explained how the automobile was chosen as the central element to the exhibition because it is a reflection of Japanese culture and tradition.